In a relatively quiet and unconventional year, Rema has still managed to remind us why he’s the self-proclaimed PRINCE OF AFROBEATS. Arriving in 2025 with viral hit “Baby (is it a crime)” and closing it 3 songs later with another digital sensation in “FUN“, the singer who once represented the new wave of Afrobeats spent this year proving that he really does belongs to its elite class, and he didn’t need too many releases to do that. With massive streaming power across platforms, dominant playlist placements, and cross border success that keeps expanding his audience, 2025 became yet another exceptional year in Rema’s career.
Rather than slowing down after years of steady growth, Rema used 2025 to reinforce his global status. His music consistently appeared where impact truly matters on major playlists, national charts, and international export rankings. More importantly, the numbers told the story of an artist whose sound now travels effortlessly across borders.
Amazon Music Recognition and the Rise of Baby (Is It a Crime)
One of the biggest highlights of Rema’s year came from Amazon Music’s Best of 2025 Afrobeats list, where he secured two major placements. Baby (Is It a Crime) finished at number two, standing just one spot away from the very top of a playlist that defines the year for millions of listeners. His song KELEBU also appeared on the list at number twenty two, reinforcing the depth of his catalog and the consistency of his releases.
Baby (Is It a Crime) emerged as more than just a hit. It became a defining sound of the year. The song’s placement on one of the most influential Afrobeats playlists confirmed what fans already knew, that Rema had delivered one of the most impactful records of 2025. Its success rested not only on streaming numbers but on its cultural reach, radio rotation, and presence across social platforms.
Deezer Crowns Rema with the Song of the Year
The dominance of Baby (Is It a Crime) did not stop at Amazon Music. On Deezer’s Top 10 Best Afrobeats Songs of 2025, the record claimed the number one position. This achievement placed Rema above dozens of elite competitors in a year filled with blockbuster releases. To top a national and continental ranking like this speaks volumes about how deeply the record connected with listeners.
This number one position on Deezer further confirmed Rema’s ability to shape popular sound within the Afrobeats space. It showed that his music was not just widely consumed but also widely celebrated.
YouTube Music Nigeria and the Visual Power of FUN
On YouTube Music Nigeria’s Afrobeats Hits of 2025, Rema once again took center stage as FUN claimed the number one position. This accolade reflected massive engagement across video streams and audio plays on one of the world’s most influential media platforms.
The success of FUN on YouTube Music highlighted Rema’s visual appeal and his ability to create songs that thrive in both audio and video formats. In an era where visuals drive virality and long term relevance, this achievement further strengthened his digital dominance.
Spotify Success at Home in Nigeria
Rema’s year was equally impressive on Spotify Nigeria. By the end of 2025, he had emerged as the number nine most streamed artist in the country. This placement confirmed that he remained one of the most heavily consumed artists within Nigeria’s highly competitive music environment.
Maintaining a top ten position on Spotify Nigeria requires more than a viral moment. It demands consistent catalog performance, loyal listeners, and a steady release strategy. Rema delivered on all three throughout 2025.
Expanding Regional Influence in Ghana
Beyond Nigeria, Rema also posted strong numbers in Ghana. He ranked at number nine on the list of the most streamed artists in Ghana on Spotify for 2025. This achievement is particularly significant because Ghana remains one of the most influential music markets in West Africa, often acting as a gateway for regional expansion.
Rema’s consistent presence on Ghanaian playlists and charts showed how deeply his sound has penetrated neighboring markets and how firmly his influence is rooted across the region.
One of Nigeria’s Most Exported Artists in 2025
Perhaps one of the most powerful indicators of Rema’s global footprint in 2025 was his ranking as the number three most exported Nigerian artist on Spotify. This metric reflects how frequently his music was streamed outside Nigeria and confirms his position as one of the country’s strongest musical exports.
To rank third among Nigeria’s most exported artists places Rema in rare company. It means his audience is not limited to West Africa or Africa at large but stretches into Europe, North America, and beyond. In practical terms, it also opens the door to international touring, global brand partnerships, and high profile collaborations.
What 2025 Truly Represents for Rema
When all these achievements are viewed together, the picture becomes clear. 2025 was not just another good year for Rema. It was a year of validation. His songs dominated major streaming platforms. His name remained visible across Nigeria and Ghana. His music traveled globally at a level matched by only a few of his peers.
More importantly, Rema proved that he is not defined by a single breakthrough moment. He showed that longevity, adaptability, and international appeal now form the foundation of his career. From Amazon Music to Deezer, from Spotify to YouTube Music, his influence cut across every major digital avenue that shapes modern music success.
Conclusion
Rema’s 2025 stands as one of the most complete career years any Nigerian artist could ask for. With a number one song on Deezer, a top two placement on Amazon Music’s Best of Afrobeats list, dominance on YouTube Music Nigeria, strong national rankings on Spotify, and elite export status globally, he firmly established himself as both a local powerhouse and a global contender.
As the year closes, one thing is certain. Rema is no longer just the future of Afrobeats. He is one of its present leaders, and 2025 may well be remembered as the year that status became undeniable.