Asake just added another line to his growing list of achievements, and this time it comes with a record that puts “Mr Money With The Vibe” in a class of its own.
The album has officially become the African project with the highest number of individual songs to cross 100 million streams on Spotify, with six tracks now sitting above that mark. The latest addition is “Nzaza,” which recently joined the club and pushed the album’s tally past anything else released from the continent.
Here’s how the numbers currently stack up:
“Terminator” leads the pack with 151 million streams, a figure that has made it one of the standout records from the project since release. “Dull” follows with 111 million, while “Joha” sits at 104 million. “Organise” has pulled in 101 million streams, and the Burna Boy-assisted remix of “Sungba” rounds out the earlier entries with exactly 100 million. “Nzaza” is the newest member of the list, also crossing the 100 million threshold.
What makes this run particularly notable is the spread. Rather than leaning on one or two breakout singles, “Mr Money With The Vibe” has produced a consistent stream of commercially dominant records, each finding its own audience and staying power long after release. That kind of depth is rare, even among the continent’s biggest projects, and it says a lot about how the album was sequenced and how well each record was allowed to breathe commercially.
Asake has built a reputation over the past few years for music that moves differently, street-rooted but melodically expansive, and built for repeat listening. This latest milestone backs that up with hard numbers. It also reinforces his position as one of the most consistent hitmakers to emerge from the current generation of Nigerian artists, with a catalogue that keeps finding new peaks well after initial release cycles.
With “Nzaza” still climbing, there’s a real possibility this list grows even further in the coming months. For now, though, “Mr Money With The Vibe” stands alone at the top of a chart that measures something increasingly important in the streaming era: not just hits, but hits that last.